2016 GRAMMYs recap: using the ceremony in the music education classroom

The 2016 GRAMMYs have come and gone. Here are my thoughts as the show was going on and some overall thoughts following the performance. (A nice GRAMMY primer from Vox can help you out, too.)

It’s a sad reality that the #GRAMMYs has spent as much time honoring the great artists we’ve lost this year as they have giving out awards.

— Matthew Warren (@MattWarrenMusic) February 16, 2016

This is really the overarching theme for the night. While the tributes to Glenn Frey, B.B. King, David Bowie, Maurice White, Michael Jackson, Lemmy Kilmister, and the yearly “those we lost” compilation were all very good individually, as a whole there were almost as many tributes to deceased musicians (7) as actual awards given out on the telecast (8, right?).

Best Performances

My favorites were Little Big Town’s “Girl Crush” and the David Bowie tribute by Lady Gaga but for completely different reasons. Little Big Town’s performance incorporated some great string accompaniment that is a really easy chord analysis if you’re looking for music ed content.

That was awesome. Really exposed solo knocked out of the park. https://t.co/L7nuioaMWD

— Matthew Warren (@MattWarrenMusic) February 16, 2016

Gaga’s performance was great for the ingenuity. The opening visuals evoking the different Bowie characters using projection then morphing into new roles along the way was a perfect way to remember Rock’s greatest chameleon.

Worst Performances

Through no fault of her own, Adele’s appearance was marred by technical issues including a weird string sound and her vocal being obscured then completely dropped before returning. She sent a NSFW tweet saying a microphone fell on a piano string causing the entire thing to be out of tune. Without knowing the sound mix going into her ear, it’s very possible that while we stopped hearing it after a little bit, she heard it the entire time. Woof.

LET’S SLOW THIS GRAMMY TELECAST DOWN FOR A MINUTE WITH ANOTHER BALLAD

— Chris _ _ Richards (@Chris__Richards) February 16, 2016

So, so many performances were slow during the middle hour of the telecast. Then they got a huge, powerful performance from Kendrick Lamar only to bring it back down with Miguel singing a slow Michael Jackson tribute. Things began to pick up over the last hour of the show.

Hamilton isn’t a musical for one song or to listen to while you do dishes. It’s old-school sit & listen & read linear notes. Take some time.

— Matthew Warren (@MattWarrenMusic) February 16, 2016

I love Hamilton. It is not meant to be shared as a single song without show notes or lyrics in front of you. I thought it was awesome that it was featured but I doubt it did anything to broaden the audience for the show.

Most Surprising Moments

I am floored. I am among the number that liked many TSwift’s singles but really didn’t like this album as a whole. Really shocked.

— Matthew Warren (@MattWarrenMusic) February 16, 2016

The biggest surprise of the night happened in the last five minutes when Taylor Swift took home Album of the Year for 1989. Surely it produced a ton of hit singles, but as a whole I didn’t like the album very much and most expected Lamar to take the top prize.

Wow. #GRAMMYs going HARD after streaming services for being cheapskates. Strong words.

— Matthew Warren (@MattWarrenMusic) February 16, 2016

Another moment late in the telecast, the GRAMMYs went after Spotify without mentioning the streaming service by name saying all the artists that made that song get paid less than a penny every time you stream the song they helped create. A powerful message that they chose to put after 11 p.m. on the East Coast.